Listen
A documentary exploring the Ganges' transformation from sacred river to a symbol of environmental crisis.
Coming soon
Work
What I do
Most composers hand over stems. I take a game's music from the first theme through to working implementation in engine.
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Composition & Production
Original music for video games, trailers, and film, across a wide range of styles and instrumentation. Written, performed, mixed, and delivered ready to drop in.
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Interactive Music Systems
Adaptive scores that respond to gameplay and narrative: vertical layers, horizontal re-sequencing, and tension systems designed around how the game actually plays.
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Game Audio Implementation
Hands-on integration in Wwise and FMOD, so the music works in the build, not just in the bounce.
About
About & my journey
Six countries, a jazz education in Vienna, and a long way round to writing music for picture.
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Across Europe1995-2013
A moving childhood
Belgium, Spain, the Netherlands, Austria. A new country every few years, and a new language and instrument with each. I started where a lot of people do, at the classical piano.
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Vienna2013-2019
Jazz took over
Classical got me going, but jazz was the pull. I studied jazz piano and singing in Vienna, years of harmony, improvisation, and performance, and learned to sing in six languages.
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Into media2019
A brief, not a box
I started dipping my toes into media composing, writing production music for television. It clicked at once: a brief was a place to start from, not a box to fit inside.
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Widening out2021
Games and advertising
The work opened up into scoring for games and advertising, where the music has a job to do, hold tension, turn a scene, sell a feeling, without ever getting in the way.
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The HagueNow
Music as architecture
Today I compose from The Hague for film, games, and TV. The projects I want are the ones where the score isn't wallpaper, it's structure, real harmonic depth under a cinematic surface.
Mentorship
I mentor a few composers a year.
Alongside the scoring work, I run a 12-week 1:1 mentorship for composers who can already write but don't yet sound like themselves. The same voice-finding work I do on my own music, worked through with you: harmony with real depth, orchestration with intent, and taste you can trust.
See the mentorship →Tell me about the project
Send the cut, even a rough one. I read everything and reply within a day, from The Hague.
Prefer a form? Tell me about the project →